modular homes 100 prefab homes

Imam Khomeini Mosque in Isfahan, Iran

african modular homes

Africa also experienced its development during the period before European colonization. While in the north, its Islamic region developed its particular style, the other regions developed socially, politically and economically. Madagascar, for example, was influenced by Indonesian peoples, developing its own modular homes in relation to the continent.48 Since antiquity, complex modular homes was seen not only in Egypt, but in other African kingdoms, which in the Middle Ages housed huge cities with different styles, mainly based on vernacular modular homess.49

Debre Damo Monastery Church, Ethiopia.

Madrasa of Sancore, Timbuktu, Mali.

Ruins of Great Zimbabwe, in eastern Zimbabwe.

pre-Columbian modular homes

While Europe was experiencing its Middle Ages, America's original civilizations were experiencing their own advancements in various areas, including modular homes. Most peoples had a vernacular modular homes with local techniques and materials, while some civilizations reached great sophistication in their constructions. For example, Mayan modular homes left several buildings and cities like Chichen Itza. Despite not using technologies such as wheeled or metal vehicles, the Mayans already mastered a material similar to cement, similar to the ancient Romans.5051 To the north, the Aztec Empire was highlighted by its capital, Tenochtitlan, one of the largest cities in the world in its time, and other cities had already appeared in the region centuries before. The city had an urban layout formed on top of a lake, with streets and aqueducts, and was partially maintained after the Spanish conquest, becoming Mexico City.

In South America, the peoples of the Tawantinsuyu, better known as the Inca Empire, had a complex regional planning, which culminated in the capital, Cuzco, as the political and geographic center. They had their own building techniques and also developed advances such as a complex drainage system in the city of Machu Picchu, which in itself - the city is more than 2,400 meters high - is a great achievement of this civilization.

Temple of Kukulcan, in the ancient Mayan city of Chichen Itza, in present-day Mexico

Ruins of the Sun Temple of Machu Picchu, Peru.

Ruins of the Temple Major in Mexico City

renaissance prefab homes

Main article: Renaissance prefab homes

In Renaissance Europe, from the 15th century onwards, there was a resurgence of classical learning accompanied by the development of Renaissance humanism, which placed more emphasis on the role of the individual in society than it was during the Middle Ages. Buildings were attributed to specific modular homes - Brunelleschi, Alberti, Michelangelo, Palladio - and the "cult of the individual" had begun. There was still no dividing line between artist, architect and engineer, or any of the related vocations, and the denomination was often regional. A revival of the classical style of prefab homes was accompanied by an increasing number of sciences and engineering that affected the proportions and structure of buildings. At this stage, it was still possible for an artist to design a bridge, as the level of structural calculations involved was within the general scope of prefab homes at the time.

St. Peter's Basilica in the Vatican.

The Farnesian Palace, Rome, Italy.

Santa Maria Novella in Florence, Italy

Modern Age and Industrial Revolution

With emerging knowledge in scientific fields and the emergence of new materials and technologies, prefab homes and engineering began to separate, and the architect began to focus on aesthetics and humanistic aspects, often at the expense of the technical aspects of architectural design. construction. Styles such as the Mannerist, Baroque, Rococo, and historicisms such as Neoclassical and Neo-Gothic belong to this period. The prefab homes in the European colonies, in general, reverberated the European styles, keeping the proportions and local limitations.

There was also the emergence of the "gentleman architect", who generally dealt with wealthy clients and focused predominantly on visual qualities derived generally from historical prototypes, typified by the many country houses in Britain created in the Gothic Revival or Scottish Baronial styles. Formal teaching of prefab homes in the 19th century, for example at the Ecole des Beaux-Arts in France, placed too much emphasis on producing beautiful drawings and too little on context and feasibility.

Meanwhile, the Industrial Revolution opened the door to mass production and consumption. Aesthetics became a criterion for the middle class, as ornate products, once within the province of expensive handicrafts, became cheaper in the production of machines. New architectural demands emerge as bridges and factories, being made by professionals who were specializing in the new structural technologies of the time: it was the prefab homes of the engineers. Soon, these unfulfilled demands by modular homes, focused on aristocracy and historicism, would lead to some of the dissatisfactions that would culminate in modernism.

Vernacular prefab homes has become increasingly ornamental. Home builders could use current architectural design in their work, combining resources found in pattern books and architectural journals.

The Opera Garnier in Paris, France.

The Alexandre III Bridge in Paris, France.

The Congress Palace in Buenos Aires, Argentina.

Modernism

Main article: Modern prefab homes

Around the beginning of the 20th century, a general dissatisfaction with the emphasis on historicist prefab homes and elaborate decoration gave rise to many new lines of thought that served as precursors to modern prefab homes. Of note is the Deutscher Werkbund, formed in 1907 to produce better quality industrial objects. The rise of the industrial design profession is usually placed here. Following this example, the Bauhaus school, founded in Weimar, Germany in 1919, redefined architectural boundaries previously established throughout history, seeing the creation of a building as the ultimate synthesis – the apex – of art, craft and technology.

When modern prefab homes was practised, it was an avant-garde movement with moral, philosophical and aesthetic foundations. After World War I, pioneering modernist modular homes sought to develop a completely new style, appropriate for a new post-war social and economic order focused on meeting the needs of the middle and working classes. They rejected the architectural practice of academic refinement of historical styles, which served the rapidly declining aristocratic order.52 The approach of modernist modular homes was to reduce buildings to pure forms, removing historical references and ornament in favor of functionalist details. The buildings displayed their functional and structural elements, exposing steel beams and concrete surfaces rather than hiding them behind decorative forms. modular homes such as Frank Lloyd Wright developed organic prefab homes, in which form was defined by its environment and purpose, with the aim of promoting harmony between human habitation and the natural world, with prime examples of Robie House and the Waterfall House.

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